You can "correct" them with curves, but I assume that this isn't really the same accuracy of a transform that should be happening. However, when I import the clips into Resolve in a color-managed project, the Sony footage looks properly exposed and the iPhone footage looks very bright.Īt a glance, it seems like Final Cut is interpolating the footage with a lower gamma than Resolve is, because footage from both cameras appears dimmer in Final Cut than Resolve. When I imported the clips into Final Cut Pro, the iPhone footage looks properly exposed and the Sony footage looks very dim (same whether in an HLG project, or a 709 project with HDR Tools applied for HLG -> 709). On a recent trip, I shot with a Sony a7iii (HLG3) and my iPhone 12 mini (HLG w/ Dolby Vision). Replying super late because I'm new to this problem myself, but I found an interesting difference between Final Cut and Resolve on how they both handle HLG footage.
#Best free lut for iphone footage professional
If anybody has any advice, or links to good professional resources for working with this iPhone HDR footage that would be very helpful. Potentially I could convert them to ProRes444 SDR here and then work with the transcoded files in Resolve with color management turned off on a Rec709 2.4 Timeline
I will admit, when I pull the clips into Premier they look okay, if still a bit bright and washed out but better than any of the things I've tried in Resolve. I've watched a random video on youtube that claims Premier can handle to conversion from HDR to SDR automatically. Use Adobe Premier to convert the clips to SDR. The closest I got to good results was with Input: Rec2020/Rec2010 HLG, Output: Rec709/2.4 with Lum and Sat Mapping turned on. Had a hard time finding settings within the CST that looked good. Turn RCM off, use a Rec709 2.4 timeline and use a CST node to convert the footage. This gave me bad results, clips were overexposed and washed out with settings Input: Rec2100 HLG (the default it chose for the clips) Timeline Space: Rec2100 HLG, Output Rec709 2.4, Lum and Sat Mapping. Use DaVinci RCM to handle the color management. Ideas I've had and issues I've had so far.
#Best free lut for iphone footage mac
We also used AirDrop to transfer the files from the phone to the same Mac system and this time they came over tagged as BT2020 HLG (9-18-9) which from my short research is the proper color space that the device shoots in for HDR.ī) What is the best/easiest way to convert the iPhone HDR clips to SDR?ĭue to several factors, I really don't want to deal with this footage as HDR. I didn't get a chance to test if Image Capture was actually converting the footage to SDR (which I doubt) or if it just wasn't transferring over the proper metadata (what I suspect)
On set we tried using Image Capture (on a system running OSX 10.14) and the metadata that came along with the footage tagged is as HD color space. I've been brought in on a job recently where my DP is trying to compare footage shot from a Canon 5D (shooting in SDR obviously) and an iPhone 12 (which was setup to shoot in their HDR mode).Ī) What is the proper way to ingest the iPhone footage from the phone and onto our computers? I'm looking for any experience anyone has working with iPhone 12 HDR footage.
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